In 1967 Gottfried Jäger pioneered generative photography: images made entirely within the apparatus of the camera. Working collaboratively with Jäger, James Bloom has directly transposed these light images into data images, using digital apparatus. Bloom derives multiple interconnected digital objects from Jäger’s original object, also making them contingent on the network. Where and when the piece is viewed, plus the act of viewing itself, change and complicate the artwork for everyone in real time. Views also alter the pieces currently projected in the Museum of the Moving Image, New York, where they return to their status as light images.